Saturday, August 31, 2013

Moving Forward, Looking Back

by Chris

For every action, there is an equal but opposite reaction. This is a central tenant of physics, but it is also true of life. For everything gained, there is something lost. This could not be more true of a little road I happened upon while walking home from school one temperate autumn day.

The air was warm and caressing; a gentle breeze circulated the various aromas of nature about the air. Not a cloud in sight, the sky was an immaculate azure. The trees had just begun to turn the proverbial oranges and topazes and crimsons of fall; the Sun was a radiant orb of fairness and warmth: indeed, it was a picturesque autumn afternoon. And because it was such a glorious day, I decided to walk home, that I might imbibe the splendor of the seasonal weather.

Through the desolate corridors of my school I walked, across the empty parking lot I sauntered, and around the various retail outlets and shopping centers I strolled. I was quite pleased with myself; the day was gorgeous and my progression steady. Then I stopped, thwarted by an uncircumventable obstacle: a major thoroughfare. It was rush hour, and the vehicles stretched as far as the eye could see in a tense gridlock. Undaunted, I began to deftly traverse this river of cars, weaving hither and thither, narrowing avoiding finders and skillfully maneuvering about the vehicular chaos.

“Move!” cried one irascible motorist.

“Get out of the way!” commanded another.

Finally I reached the midpoint: a grassy depression several yards wide. On I trudged. Within a matter of seconds, I had reached the other lane, where the oppositely-traveling traffic was, miraculously, much lighter. Yet I quickly discovered another hurdle: the cars were zipping along much too quickly to risk a sprint across. With no alternative, I waited, hoping for a opportunity that finally presented itself after what seemed like an eternity. No hesitation. I bolted across and reached the far side, my heart pounding in my chest like a tribal drum. I continued along the shoulder of the road for about half a kilometer, rhythmically and absentmindedly. Then I noticed it.

It was a little road, partially obscured by a few shops. And though this little road was quite visible, it was still quite difficult to spot, as though it were shrouded in its own inconspicuousness. Nonetheless, it intrigued me; it thwarted my progression as much as the main road had. Inexplicably, and almost unconsciously, I found myself walking toward it, drawn to it by its unassuming demeanor.

It was upwardly inclined, and it formed an acute angle with the main road in the opposite direction of my route. Yet I continued. Then, something utterly amazing happened. After continuing up the road for a time, I found myself immersed in another time, in another place. The road was not merely a road: it was a portal to another world, a world I hardly knew existed.

On the right side of the road, separated by a lethargically flowing stream, a pale green house with red shutters sat in a dusty depression. A red pickup truck slept in the driveway. The weed-infested bridge that crossed the stream was composed of old wooden rectangular blocks which were reminiscent of a Lewis and Clark cabin. Beside the bridge lay three gray slabs of concrete, partly submerged beneath a layer of grass and silt.

As I took in this sight, something dawned on me: the familiar sounds of rush hour traffic were gone, replaced with a tranquility and calmness. Even the air had a barely-noticeable sereneness about it. There was something very relaxing about the quietness, a rare peacefulness that instantly resonated with me.

I pressed on. As I walked I caught site of yet another intriguing view. Situated on a grassy-green hill was a simple dude-style ranch home, tan with red shutters. A swing frame's silhouette contrasted against the now-lowering sun. Perhaps it was the hill, perhaps it was the trees that cast cooling green shadows over the front lawn, but something about that old house reminded me of Mount Vernon.

As I walked, I thought to myself how amazing it was to stumble upon such an untouched landscape so redolent of the country, and how amazing it was to stumble upon it in this little town of all places. I thought about how things had changed, how entire communities had disappeared, how something had been lost.

Back to my right, a chest-high chain-linked fence jealously guarded a yard replete with plant life. Farther back a large pond sat patiently and quietly, a thicket of lily pads shrouding its far shore. Yet my attention was refocused on the fence. It was sufficiently rusted, and the chain that locked the gate had rusted till it turned an assortment of yellows and oranges. It too, had seen its summer come and go. And as I looked closer still, I noticed the plants that grew uncontested around, over, and through the openings in the fence. Suddenly I was inundated with a profound abjectness. What a beautiful yard it must have been; now it was overshadowed and buried by the retail outlets and banks. For everything that is gained, there is something that is lost.

I emerged from my temporary depression to find my feet moving of their own accord: they had never ceased moving. Past the fence, past another house, and past an untended field they carried me. Then I stopped. I stood transfixed by an erect wooden log; many cycles of rain and wind had reduced it to a rotted husk, and several jagged, rusted nails protruded from its frame. I wondered what fence this log had been part of, what objects that fence had surrounded, how precious those objects must have been to merit building a fence. Within seconds I was off again, but I stole a fleeting glimpse of a major retail store off in the distance and I remembered: for everything that is gained, there is something that is lost.

The road turned, and everything turned with it, the low-lying telephone poles, the power lines, the black tire tracks, and finally, me. By now I was completely consumed by the quaintness of my surroundings; a butterfly flew past in a frantic, unpredictable flight path; crickets softly chirped within the impenetrable wild field to my left; a bird merrily tweeted in some far off, unreachable distance. This place I had entered, this living, breathing connection to the past was much more than real estate waiting to be bulldozed and crowned with yet another retail store; it was an enclave of a simpler time.

I walked on, for there was nothing more natural to do. A pair of faded blue jeans lay promiscuously strewn about the road, probably abandoned for a pair of slacks. For everything that is gained, there is something that is lost. And it was here, looking upon a pair of old jeans, on a seldom used road, during a mundane autumn afternoon, that I had an epiphany. I realized, perhaps for the first time, that we-humanity-are assiduously progressing, much as I had been as I walked home. I also discovered that in the celerity of our forward advance, something is lost. Something of such intrinsic value is lost: the past. However, whether by chance or by fate, I had managed to rediscover the past on a lonely road.

We live in a world of towering monoliths, gleaming asphalt roads, and hyper-sophisticated technologies. We are dominated by the speed with which we go about our daily lives, and we are swept up in the forward momentum of humanity. And it is within that forward momentum that we simply forget about the past and all its ordinary pleasures. Consciously or unconsciously, we sacrifice the past so that the future may arrive sooner, not even attempting to balance the preservation of the past with the progression of the present. Yet in the end, regardless of decisions and actions, something must be lost for something to be gained.

The Fault in Our Stars

by Sarah

“That’s the thing about pain. It demands to be felt.” This quote is said a handful of times throughout the critically acclaimed John Green novel, The Fault in Our Stars. And with Josh Boone as the director for the upcoming movie based off the book, the thing about this novel is that it was demanded to be made into a movie.


January 10th, 2012, The Fault in Our Stars was published. It’s 2013 now, and John Green is becoming more and more of a household name. His novels are becoming increasingly popular, especially The Fault in Our Stars, which has cast Shailene Woodley as the lead of the upcoming movie version of it.


The Fault in Our Stars is about young Hazel Grace, a teenage girl who was diagnosed with lung cancer, and her lungs “suck at being lungs.” Her mother puts her in a support group with other teenage cancer patients, and she’s not fond of it. But during one meeting, support group regular, Isaac, brings along his ex-cancer patient friend, Augustus Waters. From the beginning, Hazel is interested, but not necessarily in a romantic way. He uses metaphors, has a diverse vocab, compares her to the lead of a beautiful girl in a movie and has a prosthetic leg. The book continues to talk about their experiences with one another and their families through the point of view of Hazel.


The main roles of the movie were given to Shailene as Hazel, Ansel Elgort as Augustus, and Nat Wolff as Isaac. John Green seems to have faith in the cast to bring his book to life, but he has been said to not have much control over the movie. He didn't write the script, and he’s not the director, unlike when the author of The Perks of Being a Wallflower wrote the script for his book-turned-movie script.

It’s difficult to describe this book and not have it sound like cliché garbage. So kudos to whoever wrote the summary, because whenever I’m asked to describe it, I mistakenly end up making it sound like a waste of time. However, upon picking it up and your eyes grazing the first page, you may refuse to stop reading it until you devour the last bit of it.


If you’re anything like myself, you’ll be secretly livid toward John Green for creating such a lovely and flawless being such as Augustus, just to be reminded that he’s not real. This beautiful boy who will place a cigarette between his lips just to say that it’s a metaphor, that you put the thing that kills you between your lips, without giving it the power to do so. Thanks, John.


Other than that, there’s absolutely nothing wrong with this book. It was beautifully written, well thought-out, and an entertaining read. It’s highly suggested that you pick up your copy today and await the movie with anticipation.

Saturday, August 24, 2013

About Little Cosmic Dust Poem

by Chris

LITTLE COSMIC DUST POEM (1983)
John Haines

Out of the debris of dying stars,
this rain of particles
that waters the waste with brightness...

The sea-wave of atoms hurrying home,
collapse of the giant,
unstable guest who cannot stay...

The sun's heart reddens and expands,
his mighty aspiration is lasting,
as the shell of his substance
one day will be white with frost.

In the radiant field of Orion
great hordes of stars are forming,
just as we see every night,
fiery and faithful to the end.

Out of the cold and fleeing dust
that is never and always,
the silence and waste to come...

This arm, this hand,
my voice, your face, this love.

Poe, Frost, and Shakespeare: these are the names brought to mind when one speaks of poetry. However, there are thousands of poets who have bled their hearts unto paper, expressing in magnificent verse the passion of their souls. One such poet is John Haines, and he conveys the immensity of love in celestial terms.

Vast and dark, the world lies before us. Is it cold and empty. But somewhere out there, somewhere amid that lonesome expanse, there is warmth. Somewhere out there, there is love, a love so intense the darkness of space cannot subdue it. At least this is what Haines tells us as he speaks of the death of stars.

It is the remnants of stars that constitute our forms; this, science has revealed to us. But what’s more, it gives breath to our love. The “cold and fleeing dust” that races from the violence of a star’s death slashes into the darkness of space and “waters the waste with brightness;” this is the ancient celestial chaos that precedes our being.

But we are not merely what’s left of a star’s end, we are the continuation of that glory, that brilliance: we are the next “great [horde] of stars” that form every night, and just like the stars that came before us and are contained within us, we are “fiery and faithful to the end.” In this way we are stars, for we are both the remnants of ancient love and the source of future love. We will always be the “debris of dying stars.”

John Haines knows love in a way very few do. For him, love is not a transient passion, not a drive born of instinct, but universal constant. Indeed, we are love. We are the shore to that “sea-wave of atoms,” and in that sense, we are the passion he bled.

Not For the Weak of Heart

by Kaylee

Summer music festivals are abundant across the country. The genres of music showcased at the festivals range from country, to alternative, to hardcore, to indie, and on and on and on. One of the most notable is the Vans Warped Tour. Every summer, tons of dedicated people travel across the US bringing people what is known as “The Best Day Ever.” Every morning they build stages and set up tents and merch booths, and every night they tear it all down, pack it up, and move to the next city. Most of the music featured at Warped Tour is what most people call hardcore, but music fans of all types attend, and they can always find something to interest them. Maybe it’s the music, or the activism, or the merchandise, or simply the other people there. This summer, as late in the season as it was, I was lucky enough to attend the festival in Cincinnati, Ohio.


I can honestly say that Vans Warped Tour lives up to the “Best Day Ever” title. I loved it, every second of it. Not only were the 60+ bands excellent, even if you weren’t watching a band perform, there was so much else to do. When we weren’t crowd surfing or running between the many stages, we were visiting the acoustic tent, painting ourselves with body paint, enjoying a run on the giant inflatable slip-n-slide, or chatting it up with the other people there who we instantly felt akin to simply because we all enjoyed the same music and being there.

It was easy to turn around to someone in the crowd and comment about how crazy the show was; no one is a stranger at Warped. Some of the crowds were terribly packed, and of course, what is a concert crowd without that one person who can never be pleased? Trust me, I heard my fair share of people whining about how heavy crowd surfers were, and how they kept getting hit, and, “OMG, how stupid is this band?” (My advice to you, sir/madam - go sit in the back).

I was drenched in sweat that probably wasn’t mine about two hours in, and I had to change clothes. I’m a solid 5’2”, so I relied on the help of taller music-goers to help me when I would get pulled under the tide of bodies. I stood on chairs with girls much shorter than I when we couldn’t see. I had a twenty-minute conversation with someone I had never met who stood behind me when I got separated from my group. I experienced so many new things in one day that by the end, I didn’t care that I had ripped my new shorts, or fallen several times, or been elbowed in the face while Bring Me the Horizon played “Diamonds Aren’t Forever.” The feeling can only be described as bliss, and I would suffer 364 terrible days as long as I can get one “Best Day Ever.”

Although I did visit all of my favorite bands at the largest stage, I also wandered around to the smaller stages where the bands were personable, and the crowds were composed of a mix of dedicated fans and newbies like myself. My exploration led to meeting tons of new people and enjoying music that would stick with me in the car ride home, and even a month later I find myself subconsciously singing.
Instead of listing my favorite bands at Warped Tour, I feel like it’s a better idea to list my favorite things and least favorite things there because although the music is amazing, there’s much more than that to enjoy (or despise) and experience.

Out of my favorite things, these are at the top because they set the base for an amazing day to be built on.

Free Water: In preparing for Warped, I read a number of blogs that emphasized the need for water. I also heard a number of horror stories about people passing out and how it was no fun if you were dying of thirst the whole time. The silver lining of this all however, was that free water refill stations were available. My heart dropped into my stomach when we were halfway to Cincinnati, and I realized I had forgotten my water at home. So after a quick stop I bought one bottle of water, only one. It lasted me about an hour once we got in the gates, but the free water station wasn’t nearly as crowded as I had heard, and it never took more than two minutes to get a refill. So ignore those people who suggest you bring seven water bottles and then a frozen one for later; don’t carry more than is needed, and save space in your bag for merch.

Merchandise: So basically, Warped is like an outdoor mall. There are numerous booths selling everything you want, forgot at home, and don’t need but really do ‘need.’ Nearly every band there has a booth, and then there are independent clothing lines as well, all serviced by people who are usually unpaid and still seem pleasant despite the heat and the fact they’re not in the crowd. Prices vary, but if you look around you can usually find a good deal. I bought an entire new outfit from Fellow Threads for $35. The women there were so friendly. They measured me and even held up a sheet so I could change right there in the booth. Why go back to school shopping when you can blow money on band tees and backpacks, right?

As for my least favorite things, I only had a few, but they were very profound.

Book Peddlers: I’m not exactly sure what you’d call them, but these are those one person ambassadors from a spiritual group who asks for money and then shoves their beliefs in your face. My friends and I encountered one of these very people. He asked how old we were, asked for money, was disappointed when we only gave him change, and then shoved a very heavy book into my hands. We nodded patiently, and even gave him a halfway-interested sounding “Oh?” or “Really?” every once in awhile, but hurried off as soon as we could and abandoned the book under a table as soon as the man was out of sight. My suggestions: hurry past these people, avoid them at all cost, do not stop to listen to the rude man with a yoga book.

Traffic: This is unavoidable. We were stuck on the highway in a line that tracked up several miles from the exit for quite sometime. Don’t get angry or frustrated, take this time to look around you and see all the people who are just an impatient as you are. Wave to the people, listen to a little music, and try to be kind to your fellow drivers. No one wants an argument on what is supposed to be a great day.

So, I hope my acquired knowledge has helped you. If you’re thinking about going to Warped Tour but are unsure, I encourage you to do a little research, and then go. It’s a wonderful experience, and I hope you have as much fun, if not more, than I did.

Why Adventure Time is More than Just a Kid's Show

by Rose

I honestly thought that Cartoon Network had hit rock bottom, but then I watched Adventure Time for the first time a couple years back. I had never seen a funnier show!

To the naked eye, it looks ridiculous. Why is everyone made of candy? Why can that dog talk? What’s with that kid’s hat? But as you get deeper into the show, it’s more than just a bunch of characters running around and screaming. The show is a post-apocalyptic version of Earth, and a lot has changed since the ‘Mushroom War.’


This show is real talk. Adventure Time will make you laugh, cry, and you'll want to go on adventures of your own. I have learned so much from Finn, Jake, Marceline, and even the Ice King. This show isn’t one of those ridiculous cartoons like ‘Annoying Orange’ or ‘Secret Mountain Fort Awesome,’ and if you like either of those shows, please stop reading.

I’m not saying to be obsessed with it, or cosplay all the time as the characters (though it’s really fun). I’m just saying watch a couple episodes - each one is only fifteen minutes long.

Give it a chance - at least open yourself up to liking it. If you do that and STILL find it annoying and incredibly stupid, it’s cool. At least you gave it a chance to prove how awesome and adventure-y it is.